Mrs. Chicken and the Hungry Crocodile

Pay, Won-Ldy and Margaret Lippert. Mrs. Chicken and the Hungry Crocodile. Illus. by Julie Paschkis. Henry Holt and Co., 2003.

When vain Mrs. Chicken strays a little too close to the river while trying to look at her reflection, she gets snapped up by a hungry crocodile. Held captive on an island in the river, she uses her wits to convince the crocodile that they are sisters. And sisters don't eat sisters for dinner. Talking animals, great dialogue, hatching babies, trickery, sharp teeth, and a gullible predator - this book has it all. The illustrations are stunning - simple stylized images in a limited range of bold colours - and the pages are beautifully designed with plenty of white (or black) space.

I've been doing a bunch of kindergarten outreach, and this retelling of a folktale from Liberia is one of my all-time favourite read-alouds for this age group. I'm not exactly sure why, but it's one of those magic stories that slowly makes the room go quiet. There's nothing quite like a room full of rapt five-year olds to make you appreciate a book even more than you did before. The story is plenty funny, with room for fun voices and many laughs, but it doesn’t depend on obnoxious or ridiculous humour to entertain; it’s just masterful storytelling. The text is complex and has enough tension to keep 5, 6 or 7 year olds interested, but is also accessible enough to read to a family storytime group with a mix of toddlers, preschoolers, and school-age children.

Time Twister

My review for Frank Asch's Time Twister, the latest in his Journals of a Cardboard Genius series, is up at CM Magazine. A humorous, quirky, action-packed, time-travelling science fiction adventure with great read-aloud potential. Check it out...

A new review at CM

I'm still here. Really! I've just been laying low as I started an excellent new job as a children's librarian. I hope to resurface soon.

My latest review is up at CM Magazine for Colors! ¡Colores! It's a quiet but truly beautiful bilingual picture book that reads like poetry - in a good way. And that's something I don't say lightly. And the watercolor illustrations - simple, exquisite, whimsical, wow! Check it out.

Also in the latest edition of CM, one of the most unusual takes on a color concept book I've come across: The Black Book of Colors. This picture book describes colors by texture, taste, smell and sound, with both text and braille. The illustrations are rendered entirely in black with raised black lines. I'm intrigued. Can't wait to get that one in my hot little hands.

Smash! Crash!

Scieszka, Jon. Smash!Crash! Illus. by David Shannon, Loren Long and David Gordon. Simon & Schuster, 2008.

I've been stashing this book in the bottom of my storytime box with the same way one might hide a stash of tiny bills in their shoe during a serious game of monopoly. And yesterday, on an antsy rainy day, when over half of the kids brought their pet trucks to storytime, I knew its time had come. Our library has an entire section of picture books called "Things that Go" - planes, trains, race cars, garbage trucks, etc. - and the things circulate like crazy. But it's often hard to find one that will hold up as a read-aloud story. Some are pure poetry, in the tradition of Donald Crews' Freight Train, but most follow the plot of "let's go visit the fire station" or "gosh, there are some really big trucks out there." So when Smash! Crash! showed up on the new books truck, I nabbed it right away. This is the first in Jon Scieszka's Trucktown series, and it features the two best friends Jack Truck and Dump Truck Dan who like to, yes you guessed it, smash and crash. This habit tends to get them into trouble but, when Rosie the Wrecking Crane needs help, who better to call on than our two trouble-making friends?

Within seconds everyone was listening intently, and crowding onto the mats up front. Even the pet trucks were still. It's a great read-aloud with the possibility for fun voices, repeating lines, loads of action, charismatic truck characters (who presumably will each take centre stage in later installments of the series), energetic illustrations and, best of all, it's actually got a story to it. There was a minor riot to manage as kids rushed for the book after the last song, and at least one hold placed on the spot when no other truck book on the shelf would do. When I walked by the story room an hour and a half later, a handful of kids were playing a rousing (yet oddly respectful) game of "smash and crash," and the kid who had signed out the book was still carrying it possessively under one arm.

I had a little moment when it seemed like the only two obviously girl trucks were playing pirates while all the other trucks were doing real-world jobs, but the appearance of a very tough Rosie the Wrecking Crane put those reservations to rest.

This series is a book marketer's dream: content (trucks! construction! smashing!) that sells itself, a series of high-energy recurring characters (and animated truck characters at that), a children's author who is practically a household name (Jon "rhymes with Fresca" Scieszka), and a team of illustrators who are no light-weights either. In a time when children's books are not exempt from the machinations of brand recognition, this series has what it needs to succeed. But it's nice to see a series that draws on the creativity established children's writers and artists rather than using TV programs for instant branding to sell books with minimal content.

As a girl with a pickup truck of her own, I'm thinking this book will go far. Perhaps too far for my own taste, actually, with a 52-book series already planned, and TV and other media spinoffs in the unspecified future (see the Publishers Weekly article here)... So I'm planning to enjoy it now while Trucktown is a book series and not yet an empire.

Shortcomings

Tomin, Adrian. Shortcomings. London: Faber and Faber, 2007. [Published in Canada and the US by Drawn & Quarterly, 2007.]

Hey. Adult reading treat alert. And by “adult” I don’t mean that it’s too graphic or sexual for teens, but that the grad school humour probably just isn’t all that funny if you’re seventeen. It’s the first graphic novel I’ve read by Adrian Tomine, but I’ll probably look for more. His writing is great and his clean black-and-white illustrations are impressive – both in their technical ability and their able to convey a wide but subtly nuanced emotional range.

Shortcomings is the story of Ben Tanaka, a neurotic 30 year old theatre manager secretly obsessed with white girls. It seems, however, that Ben's secret isn't much of a secret to the people around him, especially not to his more politically-minded girlfriend Miko who organizes the Asian-American film festival in town. And Ben’s best friend Alice - tough, mouthy, plans to sleep with all the young women in her department by the time she finishes her PhD - seems to find it endlessly amusing. But when currents of identity collide, nothing is as simple as it seems. While Alice might be tough and tirelessly promiscuous, she also drags Ben along to a wedding as her pretend boyfriend in an attempt to placate her Korean parents. When Ben’s girlfriend leaves Berkeley for a mysterious internship in at the Asian American Independent Film Institute in New York, Ben has a chance to wallow, obsess, and let his neuroses flourish. But he also has a chance to do a little exploring of his own.

The content is interesting both in its examination of the intersections of race, sexuality, and gender politics and also in its ability to find humour in all of it. But although the issues are interesting, the human story always takes centre stage. The writing seems breathtakingly honest without ever feeling confessional, and the characters are entirely believable (I think I know a few of them). If you’ve ever done most of a women studies degree, and almost drowned in the minutia of identity politics but somehow you still care about the issues even if some of the conversations make you want to barf because you’ve had them so many times... this is a book for you. And even if this isn’t you, you might really enjoy this book because, well, it’s just kind of brilliant.

Shortcomings manages to be both bleak and funny – though I wouldn’t say it’s laugh-out-loud funny, it’s more of the ‘oh, yes, ouch! I know that’ kind of funny. And occasionally it’s snort and choke when you weren’t expecting it kind of funny. There’s no happy ending, but I don’t need that here – a little bit of brilliance will do just fine thank you.

Another book from the Serendipity Conference...

Einarson, Earl. The Moccasins. Illus. by Julie Flett. Theytus Books Ltd., 2005.

There is no lack of picture books about unconditional love (Mama Do You Love Me? and Love you Forever jump to mind) but, done well, it isn't something I get tired of seeing. How often, though, do we get stories of unconditional love set in a foster family? Luckily this is not only a book the world needs, it is also a charming, well-written and generally appealing book. The Moccasins tells the story of a child whose foster mother gives him a gift of moccasins to help him feel proud of his Aboriginal background. Much in the way children are able to grant special powers to toys (the Velveteen Rabbit) or blankets (Linus), the moccasins make physically tangible the love, pride and comfort that the boy's mother offers him with this gift. And somehow Einarson, with the help of illustrator Julie Flett, is able to transfer some of the magic into this book so that the object of the book itself seems immensely comforting. The text is simple and straightforward, with very few linguistic tricks, but it is unexpectedly moving. The love and care pictured in this particular family might not reflect the experience of every child growing up in a foster family (or any kind of family for that matter), but that is doesn't mean this is any less of an essential book. The fact that it is based on the author's own experience might be part of what makes it moving - or perhaps it's just a good story.

And Julie Flett. Wow. I tell you, this is a woman to watch out for. Her computer-aided collages combine a spare playful contemporary aesthetic with the kind of emotional expressiveness that makes children's books sing. I like like like. Check out her next book, Zoe and the Fawn to see more of the magic she can make. In The Moccasins, I found the first illustration particularly moving in its ability to convey almost viscerally the sense of comfort and safety suggested by the text: When I was young, my foster brothers and I slept together in one room. My bed was on the far end. I always waited until I heard them sleeping before I would fall asleep. I felt warm and loved.

I wish this book was the standard 32 pages rather than 16 - the text would survive being spread out a little and, more importantly, it would give the book room for more illustrations. As is stands, the book features only six pages of primary illustration, plus secondary illustrations on the pages with text. It seems unnecessarily short to me, but maybe that's just because I was enjoying it. This shorter length, combined with the soft cover and the small size (6"x8"?), might make the book seem less serious as a picture book than it really is. And that's unfortunate because this story deserves all the attention it can get.

I finally got my copy of this book (thanks Mom!), because at the conference the entire stack of them disappeared within minutes of Earl Einarson's and Julie Flett's talks. No great surprise there. I'm hoping Earl Einarson's got some more stories in him...

This one's for you Mom....

With Passover on the horizon, our thoughts naturally turn to gefilte fish. And how, you may ask, do we introduce children to this profound and central icon of our cultural identity? Look no further...

Thanks to MotherReader for introducing me to this book as part of the 2008 Weird-Ass Picture Book Awards.

Horowitz, Dave. Five Little Gefiltes. Putnam, 2007.

I Miss You Every Day

Taback, Simms. I Miss You Every Day. New York: Viking, 2007.

When the sun is shining bright / or when it's wet and gray / I think about you all the time / I miss you every day.

From the creator of the Caldecott-winning Joseph had a Little Overcoat, comes a story for anyone who has ever missed someone so much that they dreamed of making themselves into a human pretzel and stowing away in a friend’s suitcase. In this case, our protagonist decides to mails herself from New York to California to join a friend who has moved away:

I’m going to jump inside a nice big box / I don’t care what you say / I’ll write your address on the front / I miss you every day.

The simple rhyming sequences, most of which end with the haunting repetition of “I miss you every day,” create a playful sing-song veneer while leaving room for the reader/listener to fill the book with as much emotion as they want. The story doesn't attempt either to force an intensity of emotion or to avoid it, but works with a light touch and delivers a satisfying ending that reunites and reassures.

Taback’s visual style combines the emotional honesty of the kid-art aesthetic with the masterful design of an award-winning children’s illustrator. The pictures are bold, stylized, colourful and rich with detail (including a lot of environmental print in the form of everything from signs to candy wrappers to postcards to famous picture book covers). Street signs, addresses, and cityscapes give the book a grounded sense of place from which to explore distance and separation - in this case the story arcs from New York to California - but rather than narrowing the audience, this specificity of place serves to make the distance seem more tangible in a way that strengthens a feeling of universal appeal.

This book speaks well to the experience of separation, as distinct from the experience of loss. It might not be the best book to comfort a child for whom a possible reunion is not in the picture, but the emotional content will still resonate for many. If it came in a thin postcard-sized gift version, I can think of several friends who would mail it to their out-of-town sweethearts.

Warning: If you are missing someone very much, don't try reading this book out loud at storytime. I Miss You Every Day is one of those deceptively simple books that just might undo you at exactly the wrong time. For this same reason, it will also be a powerful tool for echoing and affirming the very strong emotions kids carry with them.

Naming the Baby: The Best of the Claremont Review

I haven't even seen the book yet and I'm excited about it! This anthology features the best of young adult (13-19) writing published in the Clarement Review over the past 16 years. Check the CM Magazine review for a more complete description. A fabulous resource for inspiring young writers with the work of other people their age.

If you don't know The Claremont Review, do yourself a favour and check it out. This long-running literary journal is published in Victoria, BC, but features the writing of teenagers from anywhere in the English speaking world. A fabulous place for students to submit their work and possibly even get their first taste of the thrill of publication. The journal is excellent, with some of Canada's finest writers serving as editors, so I can only assume that the quality of this collection will be fantastic. I look forward to reading this book soon.

Shi-shi-etko

Campbell, Nicola. Shi-shi-etko. Illus. Kim LaFave. Toronto: Groundwood Books, 2005.

"One, two, three, four mornings left until I go to school." So begins the story of Shi-shi-etko, a young aboriginal girl who is soon to be taken from her family and sent to a residential school. In her last four days with her family, Shi-shi-etko gathers together memories of her home to hold with her until she can return the following summer.

This gentle but profoundly moving story introduces one of the most abhorrent chapters of Canadian history - the story of the forceful and legally sanctified removal of aboriginal children from their families and communities. At the Serendipity conference yesterday, it was fascinating to hear Nicola Campbell speak about trying to find a balance that would allow her to honour the harsh realities of this part of our history and share it with children without simply traumatizing them. It can't have been an easy task, but somehow she has managed to write this book with equal respect for the hearts of the children who will hear this story and the realities of the children who lived this story.

In the way that intense sadness can charge the everyday things around us with incredible sharpness and beauty, the weight of what is about to be lost fills this story with a sense of beauty and connection and quiet focused attention that only makes the impending departure more heartbreaking. The illustrations by Kim LaFave are digitally created, some borrowing from photographs taken by the author, but they have a rich painterly feel that matches Campbell's story. Like the text, the illustrations illuminate the beauty of each plant, place and person that is a part of the coming loss. The images manage to convey joy, wonder and a sense of belonging at the same time as they hold great grief.

Shi-shi-etko is not a textbook that will explain the details or legacy of residential school system to children; instead it is a beautifully told and very human story that offers readers a connected point of entry into a much larger story.

We also got a sneak preview of Nicola's next book, Shinchi's Canoe, which tells the story of Shi-shi-etko's younger brother Shinchi, and takes place primarly at the residential school itself. Another beautifully told story, due out this July.

Serendipity Children's Lit Conference

"Our people will sleep for a hundred years and when they awaken it will be the artists that give them back their spirit." - Louis Riel

As a person with a profound belief in the power of story, I love the way these words shine a light on the importance of art and story as acts of creation, survival, healing, connection and delight. And what better place to hear them than smack in the middle of a day dedicated to sharing and honouring Canadian Aboriginal children's literature.

Serendipity is an annual conference organized by the Vancouver Children's Literature Roundtable's in celebration of children's literature. And it was worth leaving my house at an ungodly hour last Saturday morning to join a few hundred librarians, writers, teachers, students and lovers of children's literature who gathered in the UBC First Nations Longhouse to hear about the stories behind some of the most beautifully crafted, thoughtful, and moving children's books coming out in Canada today.

Usually I am not much of a fan of all the introductory speechifying at conferences, but after an introduction to the Longhouse by Richard Vedan, a welcome speech by Steven Point that defied the stuffiness of his Lieutenant Governor title, and several heartfelt welcomes, I could feel a palpable difference in the room. We were all ready to get down to story. And what stories there were. We laughed; we cried; we watched a rogue squirrel face off with the leftover bannock and salmon sandwiches. All in all, it was a pretty fine day.

I met some new (stunning!) books, and got to hear the stories behind ones I knew. But, more than anything, I felt incredibly lucky to be entering a profession where story is recognized as a sustaining force in the world. From speakers to casual conversations, so much about the day reaffirmed for me that I was in the right place as a children's librarian. This is professional development? Shhh.... don't tell anyone what a wonderful time we had.

The rockstars of the day were:


Nicola Campbell: Author of Shi-shi-etko and the forthcoming Shinchi's Canoe (two picture books that tell the story of the residential school system in Canada)





Earl Einarson: Author of The Moccasins






Julie Flett: Illustrator of Zoe and the Fawn (CM review) and The Moccasins







Diane Silvey: Author of numerous novels and information books for children including The Kids book of Aboriginal Peoples in Canada (CM review)






Richard Van Camp: Author of several books including Welcome Song for Baby, A Man Called Raven, and What's the Most Beautiful Thing You Know About Horses?







Leo Yerxa: Author and illustrator of several books including Ancient Thunder and Last Leaf First Snowflake to fall

Persepolis - the movie!

If you loved Marjane Satrapi's two autobiograhical graphic novels about growing up in Iran during the time of the Islamic Revolution, you won't be disappointed by this movie. It's been a long time since I saw a movie that so faithfully brought a book to life, while going beyond the original to add new bits of brilliance. It was so fabulously good that it seemed almost as if Satrapi herself helped create it.... oh, right - she did. While the movie was created using a mostly black-and-white graphic style similar to the original drawings, the addition of sound and motion serve both to make the heartbreak more devestating and the funny even funnier. This film combines seamless high-tech mastery with the appeal and immediacy of the low-tech aesthetic. And although the story takes place in the face of war, hardship, seperation, depression, and social limitations - when this film is funny, it is funny funny funny. The "Eye of the Tiger" dance scene has got to be one of my favorite musical scenes of all time. This is one of the few instances where reading a book will not ruin the movie, and seeing the movie will not ruin the book. If you haven't already - go out and enjoy!