Another great audiobook

Ender's Game by Orson Scott Card, read by Stefan Rudnicki and a full cast

Not surprisingly, when I look up the reviews for the next great audiobook I listened to, it's also an AudioFile Earphones award winner. Check out the review here, and listen to a short clip.

Ender's game is the story of Andrew ("Ender") Wiggins, a child genius who is recruited by the military at age five to fight in the ultimate war again the aliens. We follow his experiences at an off-planet school for child soldiers, where he is ostracized early by his combination of skill, young age, and the manipulation of the military handlers who hope to create a new breed of commander. Ender excels in the zero-gravity "battle room" training exercises, but must struggle to understand his place in this strange and often brutal military world populated almost entirely by other children. Before Ender reaches adolescence, he will have the opportunity to the course of history forever.

This is one of the absolutely classic science fiction titles. When I've talk about science fiction with friends, this is the number one title that jumps out of my their mouths. Perhaps because I wasn't a big SF fan when I was younger, I seem to be the only person I know who didn't read this book as a teenager, or even a kid. For some reason it's in the adult section at our library, which I think is unfortunate since it's one of those great, smart stories which presents challenging ideas from a child's point of view. Sure this story is substantial enough to appeal to adults, but so are many kids' novels. The story is read by a full cast of actors, and the narration is both compelling and easy to listen to. I got lost in this story for days, and was sad (in that particular nerdy book-loving 12 year old way) when it finished. A great story to go back and find if you missed it! And a great SF book for all of you who think you're not really the SF type.

The Crazy Man

Porter, Pamela. The Crazy Man. Toronto: House of Anansi Press, 2005.

Farming in southern Saskatchewan has never been easy, but things go from bad to worse when a gruesome farming accident leaves twelve-year old Emaline Bitterman with a permanently injured leg, a dead dog, and a father who isn’t coming home. Unable to seed this year’s crop on her own, Emaline’s mother makes arrangements a man from the local mental institution to come help in the fields. The neighbours and townspeople are afraid of Angus, but Emaline sees another person struggling to recover from loss and family betrayal.

Unabashedly set in small-town Saskatchewan, the book offers a rich portrait of a farming community struggling to survive a period of dry weather and low wheat prices in the 1960s. The book is also steeped in the larger social and political landscape of the era, with references to Tommy Douglas, Marin Luther, King, the Wheat Board, and the Soviets.

The story doesn’t provide a happily-ever-after on the outside; instead, the narrative arc follows Emaline’s personal struggle to come to terms with her losses. Though the events of the story are difficult, the story itself is not depressing. The tone is hopeful, and the story celebrates the human ability to heal from hurt. Emaline embodies that innocent lack of prejudice often bestowed on child protagonists, but Porter manages to make this interaction convincing and utterly believable.

When someone introduced this book using the phrases “novel in verse” and “appeal for reluctant readers” in the same sentence, I have to say that I was entirely unconvinced. Once I started reading, however, I finished the story in a single sitting. It was compelling, moving and surprising easy to read. The free verse form is used here as a tool to sharpen and condense the language, heighten the emotion and point-of-view of the protagonist, and weed out any extraneous detail or description. The language isn’t “flowery” as some poetry-avoiders might fear, but whittled down to the essentials. Plot, voice, character (and even a sense of place) shine through with an immediacy that makes the book highly readable, while the short lines and 2-3 page sections make the text easier to scan.

Even though the cover is beautiful and the pages nicely designed, this book might be a hard sell to less committed readers, especially with any mention of poetry. A “novel in free verse” sounds unfortunately close to something good for your health. This is unfortunate since The Crazy Man is one of the most compelling and readable books of realistic historical fiction I’ve read. If it hadn’t already won the Governor General’s, the TD Book Award and the Geoffrey Bilson Award for Historical Fiction, I would predict a sweep of prestigious awards for this book.